Music listening and hearing aids: perspectives from audiologists and their patients
Greasley A, Crook H, Fulford R
International journal of audiology · 30 citas
Cómo se estudió
- Diseño
- Estudio transversal (clasificado por nuestro filtro de IA)
- Estudiado en
- Personas
- Resultado principal
- Marcadores de salud y funcionamiento
Quién lo pagó
- Financiación
- Financiación independiente
- Gobierno
- Arts and Humanities Research Council
- Subvenciones
- Arts and Humanities Research Council (AH/M00368X/1); Arts and Humanities Research Council (AH/M00368X/1)
Según 1 financiador declarado.
Publicación
- Publicado
- 2020-07-02 · Int J Audiol · vol. 59 · número 9 · págs. 694–706
- Editorial
- Taylor & Francis
- Citado
- 47 citas · más que el 75% de estudios similares · 1.1× el promedio de su campo
- Referencias
- 29 trabajos
- Acceso
- Acceso abierto (revista híbrida) · CC-BY
- Áreas de investigación
- Hearing Loss and Rehabilitation · Noise Effects and Management · Neuroscience and Music Perception
- Palabras clave
- Audiologist, Hearing aid, Active listening, Audiology, Medicine, Psychology, Hearing loss, Communication
- MeSH
- humans, hearing aids, auditory perception, music, adult, aged, aged, 80 and over, middle aged, young adult, surveys and questionnaires, audiologists
3 autores
- Alinka Greasley🇬🇧 · autor de correspondenciaUniversity of Leeds; Leeds College of Music
- Harriet Crook🇬🇧Sheffield Teaching Hospitals NHS Foundation Trust
- Robert Fulford🇬🇧University of Leeds; Leeds College of Music
Resumen
El texto original del estudio, en el idioma en que se publicó.
Objective: Two studies explored hearing-aid user and audiologist experiences of hearing-aid use and fitting for music in the UK.Design and sample: One-hundred-seventy-six hearing-aid users (age range: 21-93 years; mean: 60.56 years) answered a 4-item questionnaire on music listening difficulties and discussions about music in clinic. 99 audiologists (age range: 22-71 years; mean: 39.18 years) answered a 36-item questionnaire on the frequency and type of discussions, training received, and strategies for optimizing hearing aids for music. Closed and open-ended questions were included.Results: Sixty seven percent of hearing-aid users reported some degree of difficulty listening to music with hearing aids, and 58% had never discussed music in clinic. 50% of audiologists surveyed asked 1 in 5 (or fewer) patients about music and 67% had never received music-specific training. Audiologist training on music was significantly associated with confidence in providing advice, confidence in programming hearing aids for music, and programming hearing aids for music for a greater number of patients.Conclusions: Hearing-aid users' and audiologists' experiences of music remain mixed. In the absence of formalised training in optimizing hearing aids for music, there is a need for systematic research relating fitting strategies to clinical outcomes and the development of guidelines for audiologist training.
Resumen vía Europe PMC. Los derechos de autor siguen siendo de los autores o la editorial (CC BY).
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