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Tune out pain: Agency and active engagement predict decreases in pain intensity after music listening

Howlin C, Stapleton A, Rooney B

PloS one · 22 citas

Etiquetas de revisión

Financiado por la industria

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Cómo se estudió

Diseño
Ensayo controlado aleatorizado (indexado por PubMed)
Estudiado en
Personas
Resultado principal
Marcadores de salud y funcionamiento

Quién lo pagó

Financiación
Financiado por la industria
Empresa
Nurofen

Según 1 financiador declarado y la declaración de financiación del texto completo.

Publicación

Publicado
2022-08-03 · PLoS One · vol. 17 · número 8 · pág. e0271329
Editorial
Public Library of Science
Citado
36 citas · más que el 97% de estudios similares · 6.3× el promedio de su campo
Impacto
Entre el 10 % más citado de su campo
Referencias
65 trabajos
Acceso
Acceso abierto (revista) · CC-BY
Áreas de investigación
Music Therapy and Health · Neuroscience and Music Perception · Diverse Music Education Insights
Palabras clave
Psychology, Agency (philosophy), Cognition, Analgesic, Music psychology, Active listening, Cognitive psychology, Medicine, Music education, Psychiatry, Communication, Sociology
MeSH
humans, pain measurement, auditory perception, music, adult, pain management, acute pain

3 autores

  • Claire Howlin🇬🇧 · autor de correspondenciaQueen Mary University of London
  • Alison Stapleton🇮🇪University College Dublin
  • Brendan D. Rooney🇮🇪University College Dublin

Resumen

El texto original del estudio, en el idioma en que se publicó.

Music is increasingly being recognised as an adjuvant treatment for pain management. Music can help to decrease the experience of both chronic and experimental pain. Cognitive agency has been identified as a specific mechanism that may mediate the analgesic benefits of music engagement however, it is unclear if this specific mechanism translates to acute pain. Previous attempts to understand the cognitive mechanisms that underpin music analgesia have been predominantly lab-based, limiting the extent to which observed effects may apply to participants' everyday lives. Addressing these gaps, in naturalistic settings, the present study examined the degree to which cognitive agency (i.e., perceived choice in music), music features (i.e., complexity), and individual levels of musical sophistication were related to perceived pain. In an online global experiment, using a randomised between groups experimental design with two levels for choice (no choice and perceived choice) and two levels for music (high and low complexity), a sample of 286 adults experiencing acute pain reported their pain intensity and pain unpleasantness pre- and post-music listening. A bespoke piece of music was co-created with a commercial artist to enable the manipulation of music complexity while controlling for familiarity, while facilitating an authentic music listening experience. Overall, findings demonstrated that increased perceived control over music is associated with analgesic benefits, and that perceived choice is more important than music complexity. Highlighting the importance of listener engagement, people who reported higher levels of active engagement experienced greater decreases of pain intensity in the perceived choice condition, than those who reported lower levels of active engagement. These findings have implications for both research and practice, emphasising the importance of facilitating freedom of choice, and sustained engagement with music throughout music listening interventions.

Resumen vía Europe PMC. Los derechos de autor siguen siendo de los autores o la editorial (CC BY).

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